Nothing too in-depth, but some quick thoughts on some books I’ve read recently.
I do not believe this is the be-all, end-all series that some people are calling it. These are good comics, not great. Interesting is not a big enough word for Grant Morrison’s ideas, but too often, I feel he can’t follow though on them. I remember being so excited to read his New X-Men and Animal Man, but they never met my expectations. Come to think of it, only WE3 and All-Star Superman have. Here, he creates two unusual villains in Professor Pyg and the Flamingo, but very little comes of them. Both conflicts are solved by punching enough people enough times.
Since Philip Tan’s art is perfectly underwhelming, the real star here is Frank Quitely. I still don’t like his figures, but this is exemplary comics storytelling. I don’t necessarily mean his illustrated sound effects or camera angles. I mean things like showing Alfred preparing a meal in the penthouse, taking an elevator down the tower, climbing a ladder down to the batcave, and down a fight of stairs to the garage. We get a tour of the new base of operations, interactions with Dick and Damian, and a look into Alfred’s character. ALL IN ONE PAGE. Much admiration for that.
I’m glad I didn’t pay for this, but I enjoyed reading it. It doesn’t make sense. It will not change your life or how you look at it. It’s just punchy, stabby action. It’s nice to see a cartoony take on the X-Force characters. The art on that book was always dreary or photo-realistic. Nice change-up here. The final issue in the collection, however, is the stand-out. That issue features Leonard Samson going under psychoanalysis from an unlikely doctor. That was my favorite. It was more cerebral, showing a side of Jeph Loeb I’ve always liked. This book isn’t worth buying, especially at its $4 price tag, but on a rainy day, for free, it’s worth a look.
It must have been daunting to take over this book right after Warren Ellis wrote “Extremis,” but the Knaufs have nothing to be ashamed of. They write the best fun, playboy Tony Stark I’ve read, Matt Fraction’s book included. If you’re reading Iron Man with Robert Downey, Jr. in your head, this is a perfect fit. The only problem is that the story itself isn’t anything to write home about: Tony Stark loses control of his suit, blah blah blah. In fact, halfway through the book, I remembered that I read it last year or so. If that doesn’t tell you how memorable this book isn’t, nothing will.
This was a cool book. Max Damage was a great superhero who decided to turn it around when his world’s greatest hero turned to evil. I’ve said before I enjoy villain books and seeing him try to do good, going as far as torching his stolen money and cars, is an interesting idea. There’s four issues here, so there’s not much more than setup, but it’s a lot of fun. I’ve never heard of Jean Diaz, but his art is impressive. Characters are larger than life and his panel layouts keep the pages interesting. I definitely plan on keeping up with this book and its sister, Irredeemable.
Six pencilers for seven issues? Really? That should show how little DC cared about making this a top-tier book. Dwayne McDuffie pulls some old Milestone characters into the DC universe and … I don’t really care. Only Hardware gets enough room to show some character, but all I can really remember is that he curses a lot. I knew I wasn’t going to enjoy this book. I don’t know why I continue reading it. “Thank you Holden Public Library. May I have another?” At least I didn’t have to pay for it.
With this book, DC’s trade department confused the hell out of me. Two of the stories don’t even involve Supergirl! After a cluster of four stories from around the DCU, this book collects the One-Year-Later story from Supergirl. It’s a strange tale, which desperately needs some context. Supergirl and Power Girl are stuck in the bottle city of Kandor (maybe there by choice?), fighting against the cruel dictator Kal-El. It isn’t Superman Kal-El (I think), but I never understood who he was. The last issue is outside of the bottle, but without any explanation or closure to that storyline. How did they get out? Was it a dream? Did I miss something? This book was not only bad, it was badly put together.
Superman is not interesting to me when he’s facing a physical threat. He’s Superman! He will not lose! Yes, the actual conflict of this book didn’t intrigue me, but I did dig Kal debating issues with a priest. The conflict of religion and superheroics is always an interesting one. It’s moments like those that remind me of how good Azz can be. It is nice to see some Jim Lee artwork, if only to see once again how big of an influence he has had on the industry. Sadly, I have no desire to read volume 2.