As a blogger and reviewer, there are many ways one can choose to be. You can … … That’s the unspoken part of criticism. It’s not just what you say; it’s how you say it. Your favorite reviewers all have a tone. You may even be able to determine an author without seeing the byline. That’s a good writer. A tone. A voice. I guess I’m still working on mine. (For one, I think I should cut down on the parentheticals [but I’m so good at them!]).
I was under the impression that the Catman/Huntress date was going to happen in Secret Six. But when I saw this (great) cover, it went right on my stack. I’ve read most of Simone’s previous run on Birds of Prey, but never found it any better than good. She’s a consistent writer and I like the characters, so I gave it a shot.
Critics are quick to praise a good done-in-one issue, but most are satisfied to simply have a hero/villain battle. Few have this much personal drama. Here, Catman and Huntress’ personal lives affect their costumed mission. On one hand, Helena thinks Blake’s a bad dude, which he is. On the other, she wants to get it on with him. This results in some great narration for the conflicted Huntress.
From roof diving to wind-ravaged kisses, Pere Pérez (is that the Latino equivalent of a name like Robbie Robertson?) fits the story quite well. He’s been poking around the Bat-verse for a while now, and handles Gotham’s bright lights and dark corners well. His Huntress shows a great range of emotion, but I wish he gave Catman more moods than flirty and blind-rage.
I’m not sure this book would interest me month to month without Catman, but I’m sure glad I picked it up. Fans of the Six are well recommended to give Gail Simone’s other monthly a try.
I’m not one to complain when a cover doesn’t really reflect what goes on inside a comic, but where’s Wally? I’ve been blowing though Johns’ first run* and I don’t want to see him shoved into the background forever. Speaking of Johns’ first run, the bridge in front of which Flash, Kid Flash, and Hot Pursuit have their debate was constructed in the “Crossfire” arc. Nice nod there.
This is hard to judge this issue on its own. It’s the middle of an arc and mostly setup for Flashpoint, so I can’t complain that there are a lot of questions – Why is alt-Barry such a douche? Why is Bart so quick to judge Hot Pursuit? What about Hot Pursuit’s version of the Rogues? – that go unanswered. It’s a point A to point B issue, not much more. And with the amount of exposition here, the distance between those points isn’t very large.
I’ve spent enough time commending Manapul’s art in general. Now, each month I’m going to focus on a specific aspect. This month – fashion. From Patty’s glasses to her cropped jacket – I thought only Cliff Chiang has this good of an eye for style. And Barry’s wearing layers! A button down, then a hoodie, then a jacket. Just great.
* Anyone have an “Ignition” trade they want to give me? It’s the only one I can’t find cheap.
I think Sean McKeever is using the Secret Avengers better than Brubaker did in his inaugural arc. He’s using their skill sets and personalities in creative ways, creating conflict and forwarding the story. The (Gi)Ant-mans have always been disrespected, but being able to shrink then grow can be pretty powerful. Imagine if Ant-Man, under mind-control and in Sharon’s ear canal, grew to even one foot tall. BOOM goes Sharon’s skull. I think Beast Boy pulled that in an episode of Teen Titans, going from mosquito to elephant in Trigon’s head. Onslaught is not the most compelling villain, but the character interaction make this series worth picking up for me.
However, the book is dragged down by the art. I mean, look at that cover. Wouldn’t this story be SO MUCH better with Ramos on art, rather than Andrade? This goes back to the idea of voice or tone from my introduction. It’s a matter of style. I’m not sure Andrade is done honing his. Drawing a lower-tier book, like this one, is the right idea. But I just wish it wasn’t on a book I was so excited to read.