The Shopping List 5-11-11

There are some unexpected benefits in reviewing comics for Bells’ Kitchen. First, I end up reading the books twice. I read first on Wednesday and then again when I sit down to write my review. I pick up so much that I didn’t noticed the first time around. I also recognize when I’m not enjoying a book. If a book keeps getting two star reviews, it’s time to drop it. I may not always want to sit down and write, Comfort in These PagesIt’s something that is always there. It forces me to practice writing. Now, I can put it on a resume as a giant writing sample. I don’t have many friends who read comics, so it also gets my ideas out of my head. It’s nice. Enough taking. Here’s the books.

Daredevil: Reborn #4Daredevil: Reborn by Andy Diggle and Davide Gianfelice ****

I’ve had some real complaints about Andy Diggle’s work on Daredevil: Reborn but it goes out with a truly enjoyable issue.

My favorite sequence of the book was the one with Matt Murdock talking to the blind boy. The kid’s “Quit sayin’ your sorry!” speech is really well done, pointing out how much heroes are focused on galactic problems, but ignore small ones. This issue shows what Superman should be doing on his walk across America.

The action sequence was also a nice surprise. I’ve often seen people use their enemy’s weapons against, them but heroin as a weapon? Only in Daredevil: Reborn.

So yeah, the writing finally got to the level I expected from Diggle. Too bad that this issue ends his run.

I really liked Davide Gianfelice’s art on this series. It acts as a nice transition from the Maleev/Lark/De La Torre days to the upcoming Rivera/Martin days. Of course, Billy Tan will always be out of place, but that’s Shadowland for you. I hope Gianfelice sticks around.

My only issue with the book is the final pages. I know it’s necessary to start Mark Waid’s run, but Foggy seems too quick to forgive Matt for a bunch of the shit that’s gone down. Even if Matt has faced his fears and is ready to move forward, I’m not sure everyone else is.

Fear Itself: Youth in Revolt #1Fear Itself: Youth In Revolt #1 by Sean McKeever and Mike Norton ***

And so starts the deluge of Fear Itself tie-ins.

Any reader knows how much I like teen books, so between the cast and Sean McKeever’s name, this was a guaranteed buy.

The cast is also the strength of the book. We get members from The Initiative, Young Allies, and even The Order. No one gets that much time, but it’s nice to see a varied cast, especially with characters that are so underexposed.

I do have a problem with the timing of this book. Because of the release schedule, we haven’t seen this much hysteria in the main Fear Itself title. I don’t really understand why this is going on. I can’t tell if this “fear” is just a reaction to the hammers falling or something supernatural coming from the Serpent and all that. The Blitzkrieg USA would have been a sufficient inciting incident, but that happens 16 pages into the book. Thor Girl (still a terrible name) gets attacked for having a hammer, but we don’t even know who’s getting each of the hammers, let alone really see anyone use them. How does the public know to fear her? In another schedule issue (though not a problem), Gravity makes a comment about “Poor Nomad.” So … what happened? She was alive in Avengers Academy #13 (or will that take place previous to Onslaught Unleashed on continuity is established?).

Speaking of Gravity, he and Firestar have quickly become the hottest will they/won’t they of comics. I’m sure they will and can’t wait until they do. Let’s hope they get some sort of book where they get the chance.

Mike Norton is a chameleon of an artist. I’ve heard him speak about often aping the style of the artist before him. Is this Norton’s personal style, then? It’s good. Nothing special, but good. Something about Prodigy’s costume makes him look villainous to me. Maybe it’s the sharp metal. Maybe that you can’t see any of his face. Maybe the prominence of orange.

I realize I’ve said a lot of nothing in this review, but mostly this issue is concerned with setting up the story. I can’t until the cast building is finished and this book really gets going.

Flash #12The Flash #12 by Geoff Johns, Scott Kolins and Francis Manapul **

It may have been four issues, but not much happened in this arc. Hell, it’s been 12 issues, and not much has happened in this series. This issue starts with too quickly finishing a couple of plots, then we get two pages of epilogue and – BOOM – we’re off to Flashpoint.

As the name might suggest, “The Road to Flashpoint” is more about plot than its characters. Yes, last month’s intervention was all about Barry Allen’s relationships with his friends, but the more important parts of this story were all event and no fallout. Hot Pursuit never gets a chance to be a real character. He’s a plot in the form of a man. Bad. The same with Patty Spivot. If the book needed a crime scene analyst, Johns couldn’t have pulled one from the force? It’s nice that he pulled someone from the past, but her drama with Barry is more distraction than plot. There could have been a real story there, but it’s cut off so Flashpoint can start.

If anyone thinks I’ve been overly critical of Scott Kolins art, just read this issue. The difference between his and Manapul’s pages is ridiculous. The inking is so dark and heavy on Kolins’ pages. Are dark and heavy EVER words you want to associate with Flash? No.

I’m sure we’ll have a Flash book of some sort after Flashpoint, but looking back on these 12 issues, this series has been a disappointment. Not much has happened in the life of Barry Allen. He’s back, but done nothing that Wally West couldn’t have done. Manapul’s glorious art has often been substituted by Scott Kolins. Between rolling out of Blackest Night and into Flashpoint, The Flash was just too distracted to tell great speedster stories. Sad.

Flashpoint #1Flashpoint #1 by Geoff Johns and Andy Kubert ****

The Flash may not have done a great job setting up this story, but here it is. Remember how House of M didn’t place you in that world until issue #2? No such problem here. By setting everything up in Flash, we get dropped right in. It doesn’t make Flash any more enjoyable, but it’s better this way.

Alternate reality stories and big events are both great times to try to push a character to the A-list. Here, Johns pulls his boy Cyborg out of the Teen Titans and into the spotlight. I also like the idea of Citizen Cold (a heroic Captain Cold), but it seems he’s still got a dark side. It’s also nice to see Wonder Woman in such an important role. She’s been too ignored by events recently. Element Woman, seeming like a hero version of Delirium, is primed to be my breakout character of the series.

Since I got into comics, I haven’t read much by Andy Kubert. Because of that, I see his art as DC house style, mostly because of the Jim Lee similarities. I’m not accusing him of aping his style; I know they came up together. And besides, Jim Lee’s great. That’s why he’s Jim Lee. It’s just disappointing to see more of the same.

For such a different universe, the cliffhanger is not as big as I’d like. So Batman is Thomas Wayne. Whatever. He’s Batman. Same motivations, just more violent. Again, whatever. Give me reason to be invested in this world, not one character.

Overall, It’s a good start. I can already see the in-universe conflict as well as the problem Barry Allen is going to have getting back to his reality. Let’s go!

The Shopping List 3-16-11 and 3-23-11

Strap in kids. This one is a doozy. Between coming down with the death disease and C2E2, I never got to do the reviews for the books that came out of the 16th. And it was a big week. This week was supposed to be lighter, but there were a couple books from the 16th that exceeded my budget, so I picked those up. Sad thing is, writing these reviews I realized just how “BLEH” these books left me.

I Do Say So

I do say so. Oh well, can’t love them all.

Avengers: The Children's Crusade Young Avengers #1Avengers: The Children’s Crusade – Young Avengers #1 by Allan Heinberg and Alan Davis **

I don’t know what to make of this issue. Since it’s not part of the main series and has a different artist, it comes off as just a really confusing fill-in. Even after reading it, I can’t figure out if it will prove to be completely unimportant or the linchpin of the series. Will this come back in the end or was it Marvel grabbing another four dollars out of my wallet? I feel like I need to finish the series to even understand what happened here, despite mountains of exposition. Where are they going to tell me why these Avengers want to kill today’s Avengers?

The other story in the issue flashes back to the team’s first night out on patrol. It’s an interesting enough story, but everything you needed to know was handled on the first page of the first issue of Young Avengers: kid doppelgangers saving people from a fire, “Who the #*&% are the Young Avengers?”

I don’t like Alan Davis’ art as much as the people’s who has influenced, namely Bryan Hitch. It’s something about his faces, especially his character’s mouths. But I appreciate his ignoring of a grid or standard panel layouts. It’s fun to look at. It keeps your eyes on their toes.

I don’t know. This was an awkward aside. Of course, I can’t judge until Avengers: The Children’s Crusade is finished. But it’s not looking good.

Avengers Academy #11Avengers Academy #11 by Christos Gage and Tom Raney **

I knew it had to happen eventually – a bad issue of Avengers Academy.

It’s a simple problem. There’s way too much exposition. Don’t get me wrong, I have no idea who this Korvac guy is beyond an Avengers villain, but the explanation goes on too long and is so convoluted that I still don’t get it. Most of this issue feels like an illustrated OHOTMU entry, though narrated by Korvac’s wife and with interjections by other characters. Over the 22 pages, I came to understand that Korvac is wicked powerful and it’s going to take a lot to beat him, but I could tell that from just the pictures. If I wanted the backstory, I could have dived into the longboxes at my local shop and read, ya know, THE BACKSTORY?!

This isn’t to say that the Avengers characters are wasted, set aside to focus on Korvac. It’s Veil that sets this all in motion and Speedball gets a big moment, something he really needed, even after last month’s trip to Stamford. All the others get their panels too, even if they serve as Korvac fodder.

Making sure the massacre is exciting, we welcome new artist Tom Raney. It sounds a bit back handed, but Raney is a better than average superhero artist. No more. In a nice move, he and Gage are gracious enough to illustrate the exposition not with talking heads, but with violence. Giant-Man getting giant-punched. Thor brought to his knees. Quicksilver tripped up. It keeps things visually interesting. I have a complaint though – the further into the background a character is, the worse they look. I don’t know if I should blame Raney or inker Scott Hanna, but if a character isn’t the focus on a panel, they become scantly more detailed than a smiley face.

A rough issue to be sure, but with the heavy narrative lifting out of the way, I look for AA to bounce back next month.

Captain America #615.1Captain America #615.1 by Ed Brubaker and Mitch Breitweiser ****

Steve Rogers is not the same character he was in the 1960s. Many of his defining characteristics have been negated. The man out of time, waking up after 20 years frozen in ice? Well, he’s had time to acclimate in the 15 or so Marvel years since the thawing. Remorseful for the loss of his sidekick while ending WW2? Oh … yeah … he never actually died. No problem. This is why Bucky makes an interesting Captain America. He’s got some conflict in him.

Despite that, Ed Brubaker is taking steps to get Steve back in the suit. I have no doubt it’s influenced by the movie, but because Bucky is such a good Cap, I don’t like the idea.

Despite that, Brubaker has me convinced after 22 pages. If I were a hero in the Marvel Universe, there is no one I would rather have lead me into battle. It’s not even that he’s a strategist, he can just handle any situation. He takes everything in this issue in stride, knows the right thing to do (both morally and fight-wise). My only hope is that Bucky has a place to fit in outside of the red, white and blue. I don’t want anyone to think Bucky’s story is finished and kill him off. It’d be a waste.

Mitch Breitweiser has drawn Captain America a few times in the past, so he’s no stranger to the character. His artwork is a great demonstration to anyone picking up this Point One issue, regardless of the fact that he’s not the regular artist.

Lastly, I want to call attention to letterer Joe Caramagna. I usually don’t like sound effects in my comic art. If you show me a gun with a muzzle flash, I can do the sound math. Other times, they feel intrusive or take me out of the story* Here, they’re well integrated into the art; they aren’t just pasted over it. It makes a difference.

A great done in one. A great starting point. A great issue.

* This is one reason I didn’t like the few issues of Incredible Hercules that I read. I don’t need the sound effect “NURPLE” when some twists a nipple. It’s not funny either.)

Daredevil Reborn #3Daredevil Reborn #3 by Andy Diggle and Davide Gianfelice ***

Finally! an enjoyable issue of Daredevil Reborn.

After a couple issues that were derivative of … a lot of things, this finally feels like a uniquely Daredevil story. Not because Matt uses his super senses, but because we see some of the theme that ave carried the character for years,  like protecting the innocent. It’s not a perfect issue though; it’s very uneven. The first half is all action, the second half all talking. Neither part is bad, but it feels like there are only two scenes over these 22 pages.

I don’t have much to say. One more issue of Reborn, then Matt heads back to Hell’s Kitchen and the hands of Mark Waid, Marco Chechetto and Marcos Martin. I wish I could hit fast forward.

Fear Itself: Book of the Skull #1Fear Itself: Book of the Skull #1 by Ed Brubaker and Scot Eaton ****

Part of me didn’t want to review this until issue one of the actual event came out, but I figure they will be different enough that each deserves its own review.

I’ve heard the complaint that the plot of Fear Itself isn’t a result Marvel’s ongoing continuity as House of M, Secret Invasion and Siege have. It hasn’t been bubbling for months and years, it’s starting here and now. I see it the other way, if someone wants to read Fear Itself, they can start with this issue or Fear Itself #1. No more back story in necessary.

Take the Marvel Universe, mix in one part Hellboy, and one part Raiders of the Lost Arc, and you get this book. Though not completely original, it does a good job laying the groundwork while telling a satisfying tale on its own. Part of me feels that this new Red Skull could be Marvel’s Joker. She’s an agent of chaos. She sees an opportunity to raise hell and goes for it. She likes to make symbolic attacks, like her recent desecration of the Statue of Liberty. She quickly turns on her allies. With a shepherd as good as Ed Brubaker, she’s getting a real personality. I’m excited for her starring turn. It could be star-making.

Book of the Skull also features etter art from Scot Eaton than I expected, possibly due to the brighter coloring, especially compared to what I remember of his work on X-Men: Legacy. These big, open panels really do a service to his art. I used to shy away if I saw his name on a book, but he’ll get another look now.

Generation Hope #5Generation Hope #5 by Kieron Gillen and Jamie McKelvie ****

This is a weird one. Phonogram 2: The Singles Club is the best comic of the past ten years, but everything else Kieron Gillen writes leaves me cold. Of course, anything McKelvie draws, even an 8-page backup, gets a look from me. So,when I saw this was a stand-alone issue and only three bucks, I gave it a shot.

It’s a cool book. You can easily see it as the newest entry in the line of New Mutants, Generation X, Academy X, New X-Men, Young X-Men, but it’s a handful of fresh characters, being defined by one clear voice (Gillen’s). I understand that due to their very nature, books like this don’t sell very well, but I hope it sticks around. These characters will only be able to blossom if they have a regular book. Pop in appearances here and there will just leave them to wither away, the way people like Surge, Prodigy and Dust have done recently.

Writers always talk about catering scripts to their artist. Gillen/McKelvie is one team where you can see this in action. Some of these jokes only work with McKelvie’s art. Could you read Prof’s “There’s few things I love more than seeing young mutants at play.” line with anyone else’s art? Greg Land? Prof would be a pervert! As it stands, he’s more of a weird uncle.

Dig it.

Invincible Iron Man #502Invincible Iron Man #502 by Matt Fraction and Salvador Larroca **

I’m not sure if it’s a flaw of the issue or a testament to Fraction’s character building, but I much preferred the Pepper Potts scenes in this issue to the Tony Stark/Doc Ock ones. I have no doubt that Dr. Octopus will somehow be saved (like he would ever die in a non-Spider-Man book) and I also don’t think he’ll set off his bomb. It’s all just pacing until the problem is finished. Because the Stark scenes are just talking, they don’t feel like they have real conflict until too late in the game. Also, the strength of this series has been each arc coming off the one before it. This has an non-Iron Man villain coming to a man who isn’t the best to solve his problem, as Stark even points out. It feels more contrived than it needs to.

To harp on the Tony/Otto scenes again, the 11-13 panel pages, with a reliance on talking heads do Larroca no favors. Those aren’t his strength. The suit is. Action is. Not these blank, plastic faces.

Sure, this is my least favorite arc of Invincible Iron Man, but with Fraction at the helm of Fear Itself, I’m sure he has big plans for his boy Tony.

Amazing Spider-Man #656Amazing Spider-Man #656 by Dan Slott and Marcos Martin **

Talk about a letdown. After the incredible issue #655, we get a pretty standard Dan Slott Spider-Man issue, even Marcos Martin is wasted. Just one month after Slott wrote Martin some acting-heavy silent scenes and some dynamo spreads, we get an average issue. The only page that stood out to me was the opener with the detonator in Massacre’s hand. And with Martin off to do Daredevil with Mark Waid, I’m not sure he’ll get another go.

#655 touched on a lot of things: power and responsibility, comics’ revolving door of death, etc. This issue has a lame villain and an over-the-top J. Jonah Jameson. I bought his sadness after Marla’s death, but his reprisal is a bit much. Nice job letting him take advantage of his office as mayor though.

Four months in, and I’m ready to drop Amazing Spider-Man. I really liked the first “Big Time” arc, was underwhelmed with the second and only enjoyed the art of this third one. After the next issue, which ties into the Fantastic Four arc “Three,” I think I’m done. Of course, I recently saw that Christos Gage is coming on to help with a few scripts and do a bit of crossing over with his Avengers Academy kids, so I’m sure I’ll pick those up. I’m not going to add ASM to my pull list, but I’ll keep an eye on the solicits so I can be a cafeteria reader. “I have some of this … but not this.”

Thunderbolts #155Thunderbolts #155 by Jeff Parker and Kev Walker ***

It’s draft day for the Thunderbolts! Issue #155 finds two units (Fixer and Songbird, and Luke Cage, Dr. Strange and Man-Thing) enlisting new recruits for their cadre of villains gone good. It may sound uneventful, but Jeff Parker keeps it interesting in a number ways. Luke and crew fight show that there’s more than one way to skin an incantation. Meanwhile, the Fixer/Songbird sequences are more low key, but the Raft’s female prisoners have some nice catcalls directed at Fixer: “I know you can rig up a piece of tech that goes in here …” When was the last time a Marvel comic objectified a male character? I like it, though I guess it only serves to balance out the “private bath for the women of Shandor-Rah” that Satana uses to tempt the ex-Power Man and ex-Sorcerer Supreme.

As an issue, it feels a bit unfinished. There are some abrupt cuts, as when Dr. Strange drops Luke on an ice beast. The ntire battle takes place while we turn the page. We didn’t even see one punch. And the scenes back at the Raft don’t have much in the way of drama. I understand this is an issue of putting pieces in place for a Thunderbolts JV team, but it could have been smoother. I also wish I could recognize some of these prospects. Though I did tell you guys to keep an eye out for Troll.

Kev Walker rules. ‘Nuff said.

Twilight Guardian #3Twilight Guardian #3 by Troy Hickman and Sid Kotian ****

After last issue’s reveal that a comics company wants to publish the adventures of Twilight Guardian, issue #3 shows us a few possibilities. It’s a fresh idea, but it leaves the issue a bit lacking, because we’re not following Pam anymore. When we go into the comics within the comic, it slows the forward motion of the issue. It pauses all the actual plot and drama of the series. I hope that these aren’t reflections of any suggestions Top Cow made to Hickman about where the character could go. Can you imagine if Twilight Guardian was shoved in Artifacts? Yeesh. Talk about not understanding the book.

The real star of this issue is Sid Kotian. Not only does he turn in the strong linework we’ve seen in the previous two issues, but he also adopts a new art style for each of the pitches Avernus Comics sends. Hopefully this guy doesn’t disappear; his style on the super-mega-superhero-crossover segment proves he’d be a great fit on a book like Legion of Super-Heroes, and his TG in the same sequence look an awful lot like my favorite Teen Titan, Raven. One question – when girls are home alone, do they really hang out in their underwear and knee-high socks? Or is Kotian spying on my dreams?

Yes, it’s a stumble, but in addition to the metafiction, this issue pushes the pieces into place for the upcoming finale. I’m not sure how, or if, all the plots up in the air – Dusk Devil, TG’s missing ex-boyfriend, her newly reappeared father – will tie in, but I’ll be there.

Last question: What parent lets their three children, none of whom seem older than 10, light firecrackers outside at 12:45 AM? (Though the lettering says PM, the sky and the fact that TG is on patrol means it’s night.)

X-Factor #217X-Factor #217 by Peter David and Emanuela Lupacchino **

Right before Messiah Complex, X-Factor had its only stinker of a storyline, “The Isolationist.” It featured a few stories, but I don’t remember how or if they tied together. The biggest problem was that it didn’t feel like an X-Factor story. They aren’t really fighters anymore. They work at a detective agency? Sure, they’ve got muscle in Strong Guy and fighting skills in Shatterstar, but characters like Rictor and Layla are the glue of the team and they are action oriented at all. So when an arc comes along with a real physical threat, it feels off. And here we are with another action arc.

It’s rare that I don’t like an issue of X-Factor, but it has two serious problems:

  1. Lame villains – We’ve got a trio of female assassins going after J. Jonah Jameson and his friends. But after two issues, we don’t know who they are or what they want.I want to root against them, but no just because they’re labeled as the bad guys.
  2. Proselytizing – Peter David is a man with opinions. Anyone who’s read his blog knows that. And often times I agree with his opinions. But here, he spends three pages calling out anti-Muslim protesters on their bullshit philosophies. I agree with every word he puts in his characters mouths, but an issue of X-Factor isn’t the place for discourse on culturally insensitivity.

Emanuela Lupacchino loves breasts. Sure, her male characters are attractive as well, but you can’t go four pages in this issue without an eye-grabbing cleavage shot. Not a complaint, mind you, just an observation. To her credit, she really does draw stunning people. And unlike some lesser artists, she uses more face shapes than “male” and “female.” Most importantly, she’s a great fit on this book. Between her and Valentine De Landro, X-Factor has solved the artistic inconsistency that plagued it for years. Let’s just hope the next issue can turn the rest of the book around.

The Shopping List 2-16-11

I know I’m behind schedule, so I carved out some time to get these reviews up. Maybe next week Bells’ Kitchen be completely back on track.

As I continue writing reviews, I keep wondering “What if the creators read these?” Maybe I should only say nice things. I only buy books I enjoy, so it’s rare that I’ll have that bad of a review, but I did have some stinkers this week. I guess I’ll just keep my negative thoughts to myself.

Yeah right.

If a book sucks. We should shame the team. But it’s not OK to just say “This sucks.” Don’t get me wrong, some comics do, in fact, suck. But as a reviewer, it’s my job to explore and explain why. Something I could point out to a creator. An area they can improve on, so their work and our comics industry is better. I’m not saying there’ll be no snark, but I try to have something behind all my complaints.An insult digs a lot deeper fi there’s some truth behind it.

Hyperion don't need no stinkin' redemption.
Right guy? No way. Not once. Not never. Here we go.

Avengers Academy #9Avengers Academy #9 by Christos Gage and Mike McKone ****

With “Teach Your Children,” Avengers Academy continues a hot streak. The issue does a great job showing that no hero, veteran or student, has all the answers. As much as Veil, Striker and Haz-Mat may have been impulsive in attacking the Hood, their teachers are unprepared to deal with such a violation. And who would have ever expected that Quicksilver would be voice of reason?

A bulk of the issue is made up of Finesse facing her possible father, Taskmaster. It’s a super-exciting fight. Not because the stakes a very high, I never expected anyone to KO the other, but because these are two expect fighters (albeit one inexperienced), and Gage and McKone treat them as such. Finesse may be the most interesting student in the book. She’s got all these skills, but not the discipline to use them correctly. I hope she sticks around long after her time at the academy.

I didn’t read Fred Van Lente’s recent Taskmaster mini, but I may have to search the dollar bins this convention season. And the line he stole from Bill Cosby? My dad says the same thing.

McKone’s art looks great, especially with the extra heft given by Rebecca Buchman’s inks. It’s sad to see that this is his last issue. Do we know where he’s headed next?

Daredevil Reborn #2Daredevil Reborn #2 by Andy Diggle and Davide Gianfelice **

Following up hit runs on Daredevil by Brian Bendis and Ed Brubaker, Andy Diggle is using Daredevil Reborn to cement his reputation as a disappointment. It’s not that Reborn is bad, it’s just not good. Why does this book need to be published, other than the keep Matt Murdock on people’s minds? Even worse, I believe this is Diggle’s swansong on the title, which gives the impression that everything he wrote was leading to this. Perhaps it’s editorial influence, but it’s his name on the cover, isn’t it?

As I said, it’s not bad, but it’s not good. Something evil is happening in a desert town and Matt Murdock happens upon it. He will then have to outsmart and outfight the corrupt police force. There’s a twist coming, right? Another question: What makes this the story to tell following Shadowland? It doesn’t even feel like a DD story. Out of costume, Matt Murdock could be just about anyone. This isn’t exactly “Spider-Man No More” or even “The Return of Bruce Wayne.” If you’re going to take Daredevil out of his book, show me something special.

The light at the end of the tunnel is Gianfelice’s art. The simple figures and thick inks offer a fresh look for DD and is miles past Billy Tan’s work on Shadowland. Good stuff.

Doom Patrol #19Doom Patrol #19 by Keith Giffen, Matthew Clark and Ron Randall *

Daredevil Reborn wasn’t bad. Doom Patrol is bad.

The plot has problems:
1) Ambush Bug pops up (can he teleport?), telling Jeanette about a cabana. The scene then cuts to the exterior of said cabana and what I assume to be her screams. What happened there?
2) What happened that Elasti-woman is super surprised that there’s a lava flow. She watched a volcano explode on page 1. Did she forget? Does she not know how volcanic eruptions work?
3) After whatsisname runs away, abandoning the Six, Robotman claims it changes nothing and punches Catman in the face. Next page, they’re all buddy-buddy. Maybe I’m asking too much, for the narrative sequence to be logical, but that’s what I like in a book.

The art has problems:
1) When Ragdoll is attacked by the pelican, the artist forgot to show that.
2) The guy that hired the Six has randomly changing wardrobe/facial hair. I see that two pencilers worked on the book, but editor Elisabeth V. Gehrlein needs to ensure stuff like doesn’t happen.

The lettering even has a problem:
1) A line which clearly doesn’t belong to Deadshot (“Lawton! You broke ranks!”) is attributed to him. Again, Gehrlein, this is on you. Read the book before it goes to the printer.

One more thing, which I’ll say is my problem, not theirs, is that the two teams say they fought before. When was this? I thought I had read all of this Six’s appearances.

We can blame a lot of people for this debacle. It’s cancellation is a chicken-or-egg argument though. Is it always this bad, so no one buys it, leading to cancellation? Or have the team lost all interest and effort once the news of cancellation came down? Either way, for me and anyone else who picked this up to complete the Secret Six crossover, this was an embarrassment.

Spider-Girl #4Spider-Girl #4 by Paul Tobin and Matthew Southworth ***

Four issues in, I still need Paul Tobin to up his game on Spider-Girl. There’s been so much set dressing that I’m not what sure what the status quo of this book is or will be. At first it revolved around Anya and her dad, maybe some recurring guest appearances by Sue Storm. Then her dad died, so it was Anya vs. the world. Now, she’s getting a roommate. I can’t wrap my head around who the cast will be, so I can’t begin to understand the relationships. Does she have a job? Problems at school? Should I care about Rocky’s friends or just the creep down the hall? You’re trying to hook people who may have never heard of this (or any) Spider-Girl before. Make it easy to understand. With sales about to drop below 20,000, maybe I’m speaking to a wall called cancellation. Sorry.

From a story standpoint, I’m starting to wonder: Does anyone like being a superhero? Anya, much like her Spider-namesake do it out of the idea of responsibility. They feel like it’s something they have to do. Doesn’t anyone want to? Gravity, maybe?

Another problem I had with the issue is the art of Matthew Southworth. I like Southworth, but not here. It just doesn’t fit. It looks nice in the Kraven vs. Kraven scene or when Spider-Girl fights a bugler in a dark apartment, but the brighter scenes, like anything in Anya’s civilian life … not so much. After seeing the bright art of the past issues, his sketchy visuals seem out of place. Moody art and teenage banter don’t mix.

I know I’m all sorts of negative, but it could be worse; I could not care at all. I like this book enough to want it to be better. Doesn’t that count for something?

Amazing Spider-Man #654.1Amazing Spider-Man #654.1 by Dan Slott and Humberto Ramos **

False advertising. That’s the best way to describe this issue. It should be titled Venom #0.1. That I would have known I wouldn’t enjoy it and would have left on the shelf. Had it been $4, I would have left it anyway. Damn Point One initiative. Spider-Man is never even seen on these pages (yes, Peter is, but out of costume. And Flash has no idea that he’s Spidey, so that doesn’t count.) This is a Flash Thompson/Venom comic.

I like Spider-Man. I don’t like Venom. I know that following characters instead of creators is a sure way to read some bad comics, but even with Dan Slott and Humberto Ramos’ names, this is a Venom comic. Symbiote … first-person plural pronouns … eat brains … blah. Rick Remender is trying a black-ops twist on Venom, but there are some tropes of the character that are unavoidable.

All that said … I think Venom fans would enjoy this. The black-suited symbiote has always been about the loss of control. You may cheer him on when he’s on the side of the angels, but inside, you’re waiting for him to lash out. This is no different with Flash Thompson under the goo. He’s fighting terrorists, but really you want to see him eat someone. You’ll get that here.

Flash is a good guy, but it can’t be long before we come to resent his superiors. Let’s put this out on the table. They’re taking advantage of a man who lost his legs at war. They offer him new legs, super strength, and another chance to be a hero. They know the Venom alien is dangerous, but hell, he can control it, right? It’s only corrupted everyone who ever wore it. They see a broken man, offer him a chance to live his old life, a chance to emulate his hero, all he has to do is put on a crazy cannibalistic suit and do their dirty work. Shady.

Between the Amazing Spider-Man backup and this issue, any reader should know if they’re in or out for Venom. I’m out.

Thunderbolts #153Thunderbolts #153 by Jeff Parker and Kev Walker *****

I may have said this before, but Thunderbolts is the best book Marvel is publishing right now. It does everything right.

Since Kev Walker joined Jeff Parker with issue #144, it’s been perfect. There’s action, character moments, fan-favorite heroes, new characters brought to the spotlight. Perfect.

More than any other group I read, the Thunderbolts actually operate as a team. When going into battle, they survey the situation, divide and conquer. They’re a unit, each using their strengths in tandem to defeat their foe, in this case Godzilla-esque monsters. They may be forced to work together, but inside their villainous exteriors, they also care about each other. Even Ghost, the most emotionless of the group, pleads with Moonstone to save Juggernaut because “he is … … one of us.” It’s a surprise, and possibly in contradiction of his giddiness at giving Moonstone and Songbird mouth-to-mouth (I’d love to see how Parker scripted those panels), but the evolution of that character has been amazing. Parker may be able to develop characters (keep your eyes on Troll), but he also knows the Marvel U stalwarts; his Juggernaut and Luke Cage are pitch-perfect.

Declan Shalvey did a fine job on his fill-in issues, but these issues with Kev Walker are a step above. Start with the panels. Only the first two pages use right-angles. As the violence rises, the edges get more and more ragged. Next, look at the body language. The different poses that Ghost and Hyperion use to fly say so much about their characters. Juggernaut looks massive, but without looking out of place. And a simple shot of the back of Moonstone’s shoulder shows that she doesn’t necessarily want to help, but knows she should. A+.

In the past, I’ve hated on Greg Land. Like a lot. A lot. But it wasn’t until I read another review for this issue that I realized he drew the cover. It’s a great cover. I love those ben-day dots.

Twilight Guardian #2Twilight Guardian #2 by Troy Hickman and Sid Kotian *****

My only complaint about the first issue of Twilight Guardian ongoing was that much of the story was repeated from the Pilot Season issue. With #2, Troy Hickman takes our protagonist somewhere much more dangerous than the nine block area around her house – a comic convention.

For those unfamiliar, Twilight Guardian is the story of a young woman who has taken on the responsibility of protecting her neighborhood. Of course, she lives in our world, so the biggest threats she faces are mysterious cars and neighbors who keep their Christmas lights up year-round. As you read, it’s revealed that our hero is both obsessive compulsive and depressed, which may be related to a recent breakup. Depression is like a cloud overhead. You can keep your eyes forward and forget that it’s there, but sooner or later, you’ll bend your head back and there it is. A big, black cloud. There’s some real human drama here, but never melodrama.

The trick to avoiding depression is to find something to fill your days, rather than sitting around staring at dust. Like a comic convention. Twilight Guardian, like any comic fan, feels the need to surround herself with like minds. Of course in her case, like minds are other real-life superheroes. They meet up, trade techniques and even solve a mystery. It’s a fun issue. After identifying so well with the character’s sorrow in previous issues, seeing her surrounded by friends, feeling in her element is more uplifting than seeing random cape hero punch his nemesis again. But in the final pages, when she’s left her friends and headed home, TG takes a moment, looks around and … oh yeah … that cloud.

All of this would be worthless without the right artist. Whether showing the personalities of a convention or the silver-age styles of the comics with the comic, Sid Kotian is the right artist. Seeing the excitement on TG’s face when carrying a stack of comics or her sadness as she sits alone on a hotel bed, I buy this girl’s emotions.

Two more issues. I miss you already.

The Shopping List 1-12-11

A big week, with some of my favorite books. A couple first issues, but a distinct lack of creativity. I mentioned last week about how it’s easier to review bad books and that shows this week. Maybe you read it, but let’s be honest,

We Don't Get a Lot of Sightseers

None the less, I’m grateful for you, reader. So what was on the stack this week?

Daredevil: Reborn #1Daredevil: Reborn #1 by Andy Diggle and Davide Gianfelice **

This is a strange book. Matt Murdock, abandoning his post in Hell’s Kitchen, walks his way through Random Hicktown, USA. But there’s a big twist … NOTHING IS AS IT SEEMS! OMG, Andy Diggle blew my mind with that. I had no idea there would be something bad going on in this strange desert town.

But a lack of originality is not the only problem here. Another is characterization. Murdock refuses to admit his blindness to just about everybody, even when it makes trouble for him. The locals don’t seem out of character; they have no character. They’re just stereotypical, one-dimensional violent rednecks. It all feels soulless.

I’m not familiar with Davide Gianfelice’s art. I only bought the first issue of Greek Street and I’ve never read Northlanders. This is the cleanest Daredevil‘s art has been since the Dodsons’ fill-in issues during Bendis’s run. From a bully’s tattoo to the Sheriff’s mustache, everything is more pronounced than Daredevil fans are accustomed too. Even Matt Hollingsworth’s colors are more saturated than ever.

If this was the first issue of a new series, I’d run far from the second issue. I should avoid books like this, not tell Marvel to make more like this by buying it. I wish I was stronger.

Heroes for Hire #2Heroes for Hire #2 by Dan Abnett, Andy Lanning and Brad Walker ****

Only two issues in, I can say that the emergence of Heroes for Hire will go down as the best part of Shadowland.

For the first time, I’m able to realize that I like an artist’s layouts, but not his actual art. From the extreme close-ups on Misty’s lips to wide shots showing an expansive morgue behind Paladin, Brad Walker places his camera at some great angles. But his people don’t look right, especially his females. His Silver Sable must be 60.

The book has one problem, but I’m not sure what it is yet. Choose Your Own Problem!:
Option 1) A lack of progress: The plot of last month’s issue got cleared up last month. Then we got hit with a bomb of a cliffhanger. That thread was only advanced by one page, this month’s cliffhanger. Abnett and Lanning may have something great planned for Puppet Master, so let’s see it. After all, he has to have some reason to want to stop these crimes. Perhaps to collect all the villainous items we see a la Scott Snyder’s recent Detective Comics?
Option 2) It’s repetitive. Perhaps this volume of Heroes for Hire will bypass longer arcs in favor of done-in-one stories with an overarching theme or threat. But in that case, this issue was too similar to the last. Threat pops up around the Marvel Universe, Misty calls a number of heroes in, each for a specific task until the day is saved.

The Infinite Vacation #1The Infinite Vacation #1 by Nick Spencer and Christian Ward **

Recently, I read a comic book about a new technology that allows you live a different life. It may be a little different that your current situation or wildly dissimilar. Whatever you want is possible, for a cost. As with any new technology, there’s also a group of rebels who are against the use of said technology. To go along with the story, there was some sketchy art with a lot of purposely imperfect color. And the first issue (and let’s say storyline) revolved around a murder mystery.

It was called The Surrogates.

Seriously? No one is going to acknowledge the similarities between these books?

I want to like Nick Spencer. Yes, T.H.U.N.D.E.R. Agents didn’t wow me, but Morning Glories is great and his Jimmy Olsen work tells some fun short stories. But this is … meh. The previews had turned me off and I wasn’t even going to buy it, but it was in my subscription box so I gave it a shot.

The story itself, though not as original as it is being given credit for, is enjoyable. Dreaming of a change your life is the very definition of escapist fiction. Mark, our unhappy protagonist, is likable enough. He’s that guy with great ideas about where his life could take him, but with the ability to make those changes.

The art is where the book falls apart. Christian Ward’s pencils often resemble contour line drawings and the anatomy isn’t particularly strong. A bigger problem for me is the coloring. It’s a mix of watercolors and photoshop. With a rainbow across each page, there’s no focus. But the biggest offender, as many other reviewers seem to agree, is the expository sequence that explains how the Infinite Vacation process works. It’s done with photos. And not Greg Land photo-referencing either. Photos. It’s fummeti! Not my cup of tea, that’s for sure.

If a lack of originality was enough to make me avoid a book, I wouldn’t read enough to support this blog. Bad art can be enough though. And The Infinite Vacation can’t overcome some serious visual problems.

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I also picked up Spider-Man and Secret Six last week, but don;t have much to say other than they were good.

Talk soon. Bye.