I could review both of this week’s Avengers Academy books together. But with different writers, artists, and moods, it wouldn’t be prudent. Since Giant-Size comes first story-wise, it comes first review-wise.
This story was originally planned as annuals for Avengers Academy, Young Allies, and Spider-Girl. Of course, the latter two went and got canceled. So, it was re-solicited as a three-issue miniseries. When that was canceled, Marvel decided to put the whole thing under one cover. The final title is quite apt. There are more Academy members than Allies and this thing is huge.
Similar to Paul Tobin’s work on Spider-Girl, the character reactions are what makes this book. From Striker’s false bravado to the set-up of a possible Reptil/Spider-Girl romance, the characters feel familiar, yet pushed forward. Tobin also takes the chance to paint Arcade as a cleaned-up version of the Joker. He’s all about his plans, which are of course his undoing. And he loves to make puns. With the exception of Firestar, each of Arcade’s traps is matched to its victim. These element come together to show that this story couldn’t take place with other heroes or villains. It’s this match-up that is so enjoyable.
David Baldeon’s art is perfect. His characters are unique. Storytelling and emotions are clear. I had forgotten how much a part of Young Allies he was. I hope Marvel finds him a home soon.
Yes, Avengers Academy Giant-Size comes with a massive $7.99 price tag, but let’s do some math. 80 pages is almost four regular issues, which would cost $12. There is a lot of story here and something for fans of any of the previously mentioned books. Give it a chance.
Not that I’ve read the issues, but people always talk about X-Men baseball games. Small breaks between arcs where everyone could decompress and Claremont could do some character building. Peter David took it a step up with his psychiatry issues of X-Factor. This week, Christos Gage found the perfect rest for the teen characters of the Marvel U – prom! Gage catches up with some characters who’ve dropped out of the spotlight, brings everyone’s emotions to the forefront and there’s still a lot more action than my prom, if you know what I’m saying.
I dropped Avengers: The Initiative somewhere after Secret Invasion, but based on scenes like the ones with Komodo and Ultra Girl (“Oh. Golly.”), I may have to go back. And I love seeing the Young Allies again, even if their appearances are brief.
This issue also made me realize what separated Avengers Academy from televised teen dramas – horny adults. Shows like My So-Called Life and The OC were about the kids, sure, but they weren’t solely concerned with the young people. That’s a strength of the series and I’ll admit it, Tigra and Dr. Pym deserve to get some.
I like Sean Chen’s art. More when it’s close up. When his characters are too far back, they lose not only detail, but emotion.
It may be a small interlude between bigger stories, but that doesn’t mean Avengers Academy #13 isn’t one of the series best issues yet.
I found the first issue of Fear Itself bland; issue #2 is no better. In this installment, Matt Fraction is so concerned with getting hammers in the hands of The Worthy, that he disregards an actual plot. Four pages on the Raft. Three pages following the Hulks. Two and a half pages following the Absorbing Man and Titania. One panel of … some guy in the ocean. To finish off the issue, we get separate pep-talks from Odin and Steve Rogers.
I can’t explain it; so much happens, but it feels like nothing happens.
One disappointing change from the first issue was a lack of men-on-the-street. Last time, we saw regular people reacting to the status quo. (Remember the dudes in Broxton?) Here, reactions only come via quotes news reports. It’s less personal, and feels it.
I remember Secret Invasion having some logical problems. The idea that, within an hour of exposing themselves, the Skrulls would have thousands of humans cheering for them is ridiculous. Here, there are similar problems. One of the news reports says “Autism rates skyrocketing.” What? Within an hour or so, we already have data on the increasing level of neural development disorders? REALLY?
The best moment of the issue is Odin sending Thor off to prison. It seems a weird plot point (Is Odin always a dick?), but you know once he gets out, he’ll have some serious smashing to do.
Regardless of my problems with the plot, I have no such qualms with the art. Despite massive set pieces and dozens of characters, Stuart Immonen never missteps. I could criticize his Worthy-Hulk to be too similar to Drax the Destroyer, but I won’t. If he can keep this level of art and on-time, he’ll go right to the top of the list of crossover artists.
I’m very excited for the real action to start, but Fear Itself has starting out on bad feet.
If you’ve ever wondered if someone’s torture could warm your heart, I give you Secret Six #33. Yes, we finally see to what corner of hell Thomas Blake was going off with Etrigan and the resolution of Catman’s family drama. (See: “Cat’s in the Cradle“). In a surprising move, Gail Simone used this arc to follow-up on more than just the get-out-of-hell-free card. It’s an impressive skill that every month she can still mine more than five years of stories featuring these characters.
In a series of great character moments, Simone shoes us the Six’s fears. From a mother’s sadness to the despair of eternal life to vegetarian restaurants, even the most vile people are afraid of something.
“Say you forgive me. And that love really exists. Even for us.” Like Delirium having a crestfallen moment of clarity, the issue’s most heartbreaking line comes from a most unexpected source, Ragdoll.
I’ve officially come around on J. Calafiore. He does his best every month and without any delays. He doesn’t have some flashy style, but he’s consistent. I like that. I did figure out my problem with some of his work. Some faces, noticeable Scandal’s, have a great lack of detail. Her face is a big oval with a birthmark. The contours are left to the colorist, who is sadly content to fill her with a simple gradient. Some more features, on either of their part, could do wonders.