Blog fatigue is very real. Regardless of any deadlines or restrictions you give yourself, sometimes you just don’t want to write. It can make comics feel like a chore rather than an exciting hobby. It’s like going to practice instead of playing a real basketball game. Sometimes you just have to spice things up.
With that in mind, AN EXPERIMENT! Live reviews! So, as I read each of the comics I bought this week, I’ll give you my thoughts. Let’s see how this goes. I hope this are easy to follow, even for those of you who haven’t read the books. But it’d probably be better if you can read along. It’d be like a DVD commentary. Except on comics. And you’re reading. And I had nothing to do with the creation of the book. But it’s like that.
Recap page – Hitch’s version of Wolverine’s mask makes him look like a bird. An angry bird. However, I love that you can see a hint of Spider-Woman’s eyes beneath her mask.
Page 6 – “There are 32 alien races living here on planet earth.” – Agent Brand. Does that sound low to anyone else? I see Hitch never got the memo that Beast looks like a cat these days.
Page 9 – We’re lucky that Hitch gets all this leeway to stretch scripts out. If he was actually restricted to the 22 pages other artists are, we’d miss out on great splash pages like this.
Page 11 – Is anyone against those little logos/descriptions some writers use to introduce characters? They’re more graceful than shoving a character’s name in the dialogue. “Something not from earth, Moon Knight,” “We have to hope for the best, Protector.” I’ll admit I didn’t know that was Moon Knight at first glance, but help yourself out. Plus, those intro boxes are pure comic book. There’s a reason Edgar Wright carried them over into “Scott Pilgrim vs. The World.”
Page 13 – More clunky names.
Page 14 – The what? Spaceknight? Bendis seems to be going back into and old toybox on this one.
Page 18 – Villains are great. Even the smartest ones forget that Tony Stark is just as smart as they are.
Page 23-24 – Ultron? Sick. Can we get some Hank Pym up in here? Hitch gets a bit weird on his right thigh, but big credit to colorist Paul Mounts on bringing a lot of energy to this spread.
Page 25-26 – Good old Thor. Got a problem? Hit it with a hammer. Nice moment there.
Page 27-28 – Uh … if there was that much destruction, and we see A LOT, you’d have some dead bodies on your hands.
Overall – This was a really exciting issue. This is the kind of thing that can launch an event. The Age of Ultron may be contained within the Avengers title, but it should be big enough to have been an event. This is the best Hitch has looked in years. I wasn’t big on his Fantastic Four or his Captain America: Reborn work, but this is great. I would like to see some more vibrant colors though. A lot of the backgrounds and even characters are very washed out. Art this detailed still needs some pop. Either way, this is a successful .1 issue, but any goodwill from it may be wasted in the months until this storyline continues.
Page 1-2 – Nazis are a really easy villain. No one cares if you kill a Nazi. Same with robots. Or some aliens (just as the Skrulls). But what about bears? Is this cool or is this animal cruelty?
Page 6 – These little tiny panels at the top? That’s some We3 shit right there. This is a 24 panel page, but reads so easy. I dig it.
Page 8 – Niko? Nick Fury? Or did I miss a character named Niko?
Page 9 – Nope. Not Fury.
Page 10 – Butch Guide is doing some real great design work here. Tiny moments, tiny panels. Events overlapping. I’d say it’s cinemetic, but really, it’s comics.
Page 18 – I knew there was a Steve Rogers feature starting soon, but I didn’t expect Black Widow. Sweet.
Page 20 – I like the style Deodato’s trying out here. It’s still got the shadows he’s known for, but his characters are much less chiseled, so it looks more fluid. Good to see he’s still not afraid to take a weird angle to tell the story, like in the shot directly above the desk.
Page 24 – Oh, Chris Samnee. You’re great.
Page 26 – A few pages back, Natasha got Steve on the phone. Now we see his side of the conversation. Nice job tying the stories together, Bru.
Page 30 – Damn, I’m really going to be sad when Steve gives up his Super-Solider outfit. That thing’s great.
Captain America has been a consistently good book since Ed Brubaker’s run started. But with each month expanding to 30 pages of his story and the storylines getting bigger and better in anticipation of the movie, there couldn’t be a better time to be a Cap fan.
Also, I just looked up Ursa Major, the bear from pages 1-2. I guess he’s a mutant that can shapeshift to a bear. Nothing to see here. Move along.
Cover – Yeah, I’ll start early on this one. I love it. It may not stand out on the shelf, but how many covers have the reader inside the mouth of a damn sea beast? The benday dot coloring is great too.
Pages 2-3 – They set me up to think a bomb was going to go off on this page turn. They got me. I expect kablam, I get Shamu. A check out the way Jock plays with perspective. Try to find a perpendicular line.
Page 6 – Uh … Dick? Should you really be cutting that dead whale open? What expertise do you have in marine biology?
Page 7 – Dialogue is a weird thing. You want it to sound authentic, but you often need to clue your readers in on information that may not naturally come out in conversation. Writers try their best to fit it in, and Scott Snyder usually does. But here, Commish is just a bit dramatic. “As in Anthony ‘Fats’ Zucco” DUN DUN DUN “The man who killed your parents.”
Page 10 – Eww. Another reason to hate whales.
Page 11 – Excellent page. I won’t even try to explain. Just check it out.
Page 12 – Right here, in the narration, Dick says Zucco killed his parents. If it was going to be said in the issue already, there was no need to jam it in the dialogue a few pages back.
I didn’t have too much say about this issue, but that’s not a bad thing. Scott Snyder is giving readers a great Batman story and his artists have been giving it their all. Even if you’ve been jaded by too many mediocre Batman stories in the past, check this out. Who knows when Detective Comics will be this good again.
Page 1 – Oh no. Scott Kolins art. It’s not Kolins’ fault. He’s great, especially on Flash. It’s the coloring. When this style is laid upon Manapul’s art, it looks classic. Here, characters look plastic and lifeless. Not to mention it’s a lot darker than it needs to be, which could always be a printing problem. Working in advertising, I understand that 100%.
Page 6 – Pages like this are why I respect Kolins. Look at the details in the apartment – the rug, the pillows, the junk on the table behind Iris. But, why does everyone look squinty here (except Bart who looks ready to punch Barry in the face)? Speaking of Bart, he looks too much like the witness kid from the beginning of the issue. Both young redheads, and the kid is wearing yellow and red, Kid Flash colors.
Page 8 – I’m not sure if Johns is writing Bart as too self-centered or just whiny. “Barry didn’t come to the picnic because of me!” Wah wah.
Page 10 – Writer, artist, colorists, editors – This just doesn’t seem to be anyone’s issue. If Wally’s talking about being a kid, shouldn’t he be in his Kid Flash uniform? Back then, did they EVER wear red outfits at the same time? And Wally’s line “… I didn’t hope Barry Allen was the Flash — I hoped the Flash was Barry Allen” That’s more than a little melodramatic.
Page 15 – I hate when people in comics talk to themselves. Give them an internal monologue. Better yet, give them someone to talk to.
Page 20 – Well, I was right about the colors of the kid’s clothes. Just looking the wrong direction.
Not a bad issue, not really. But it’s flaws are so clear – overly sentimental writing and art that’s trying to clone what’s been done before, but with different ingredients. I’m still not sure how this will really connect to FlashPoint, but with one issue to go, who’s really going to stop reading now?
Page 2 – I will now welcome guests at my house with “Die alien scum!!!”
Page 11 – “I was warned you might be brainwashed.” Does Jun have someone on the inside?
Page 13 – All this birthtime stuff confuses me. Hisao was born second, at 23:59. That would mean they were both born on May 4, same as all the other students at Morning Glory Academy. So … what’s the problem with Jun?
Page 19 – Uh … so … we’ve haven’t been following Jun all this time? Why doesn’t Jun know who he is?
Page 26 – Wow, I never would have realized there were extra pages in this issue. ANYWAY, wasn’t Abraham the guy that discovered Zoe? Could he be the inside man?
There isn’t any real progress in this issue, but there’s some backstory that has already been proven important. That and a couple of twists and you’ve got a basic issue of Morning Glories. Next month: Jade. At C2E2, I told Nick Spencer that she was my favorite. It sounds like I’m the only one. Red-headed emo girls? Sign me up!
Recap page – I like that the frame of this page is an iPad. Seeing where the recap is made up of @The_Spider-Girl‘s tweets, it’s a nice tie in. It also doesn’t hurt that I love my iPad.
Page 1 – We’re back to Clayton Henry’s art. Now that the darker story is over, the darker art is as well. Nice.
Page 4 – Pop culture references … I appreciate it now, but will anyone know what Community was in 10 years? 5 years?
Henry’s art has clearer emotions than Southworth’s. That’s a good thing.
Page 8 – The real inciting incident for this series has been the death of Anya’s father. Since then, the Fantastic Four has lost someone as well. She goes to hang out with them, but we’re not going to comment on this?
Page 9 – I may have dropped Amazing Spider-Man from my subscription list, but it is nice to see the books tying together in regards to Phil’s crush on Norah.
Page 14 – Henry throws in a nice easter egg. “D-Man: Turn Off the Trash” I like it. Does the fact I like that conflict with my ambivalence on the Community reference?
Page 16 – It’s sad that Spidey shows little faith in Spider-Girl.
Page 21 – Faith which she totally deserves. There’s a narrative leap here. Hobgoblin is knocked out, but 4 panels later, escapes. It couldn’t have been thirty seconds. Spider-Man’s watching the whole time. We never see him even get up or get untied. Throw us a bone here. Focus on storytelling.
Page 22 – Spider-Man’s been more or less encouraging of Anya in the past, yet he criticizes her again, despite the fact that she’s now defeated numerous foes. This selective support doesn’t play well with me.
With its impending cancellation, Spider-Girl has some exciting ground to cover in the next couple months. If you’ve been reading up until this point, there’s no reason to stop now.
So what do you think about live reviews? Interesting? Failure? An interesting failure? Let me know. Maybe I’ll do this again sometime.