You’d think that the more you write reviews, the easier it would get. But it doesn’t. It gets harder. There are only so many ways I know to talk about an artist. It’s all boils down to “I like it.” or “I don’t like it.” Stories I can track as they go up and down, but I’m not that good about art. Even books I like, I run out of things to say. Not that I want to waste money on books I don’t like, but sometimes it’s like my inspiration
I always want to do more varied posts, but sometimes the muse ain’t there. And the last thing I want to do is regurgitate news that you can read on 1,000,001 other sites. I’m striving for less reviews and more commentary. Keep your eyes out.
With issue #10, Avengers Academy lives up to the second half of its name. Superhuman Ethics, Applied Chemistry, Rudiments of Magic. Class is in session. Someone needs to teach the youth how to be heroes. It’s one of those things I’ve missed since the X-Men stopped living at a school.
It’s interesting to see how this book has picked up the crumbs of other stores around the Marvel Universe. Whether it’s Speedball/Penance post-Stamford, the Wasp’s fate after Secret Invasion, or last issue’s focus on Tigra’s beating. Big name writers (Millar, Bendis) have come in and made some big moves, but Christos Gage is the one looking for the emotional fallout. Great thanks to him.
The most interesting portion of this issue focuses on Haz-Mat. She’s spent the first nine issues pissed off. She wants to go back to her old life. But what happens when you no longer fit into that old life? For young metas, maybe you can’t go home again.
Sean Chen doesn’t have an instantly identifiable style, but this is good comic book art. His people look good. Their emotions are believable. This action is dynamic. I was impressed with him on DC’s Salvation Run (remember that debacle?), so it’s nice to see him again.
With another dip into Marvel history with the return of Korvac next month and an upcoming superhero prom, Avengers Academy couldn’t be much better.
My biggest complaints about this third series of Heroes for Hire have been a lack of plot progression and Brad Walker’s art. Both of those concerns are addressed here, but “No Strings” is still a disappointment.
For the first time, Misty Knight gets to be the focus of her own book. Most of the issue takes place in her head, which also leads to much of my dissatisfaction. The argument can be made that seeing Misty’s internal struggle is important, but this would have been better served if it had been split up over a number of issues. That way, her struggle would have taken longer (in publication time), seeming like a greater battle. She would have earned her awakening from under Puppet Master’s power. As it stands, it like she’s only fighting him in her head for 20 minutes instead of the weeks she’s been under his control.
Artists that can follow a monthly schedule must be dropping like flies, because no matter what kind of lead-time this book had, it needed a fill-in artist after only three issues. He may be a stop-gap, but I enjoy Robert Atkins work a lot more than Brad Walker’s. The biggest item on his resume is IDW’s recent G.I. Joe books. His time spent on those books sure influenced his action scenes. The pages showing Misty fighting Elektra, Silver Sable and a whole gang of others show someone who is not to be taken lightly. Kicking, punching, blasting, it’s all fluid and very exciting.
We all know that the issue’s Punisher cliffhanger is not what it seems. Between seeing how that goes and hopefully a reveal of Puppet Master’s … master, #5 should be a good read.
After a slow arc in Skartaris, followed by uninspired crossovers with Action Comics and Doom Patrol, the Secret Six we know and love is back. Issue #31 opens with the eight (I know, right?) team members filing a commercial and closes with Ragdoll leading the forces of hell against his teammates. In between, we get the crackling dialogue and depravity we’ve come to expect from Gail Simone, at least on this title.
The plot brings back the Get Out of Hell Free card from the first arc. Scandal may be the first one that comes to mind when thinking of a team member who’s lost someone they love, but way back when, Ragdoll lost his best friend – Parademon. Don’t remember him? Check out the Villains United series that put this team together the first time. It’s awesome.
Looking at the team, it’s easy to see Doll as the whipping boy. He’s not muscle like Bane or a fighter like Scandal or Catman. He’s the comic relief. Rightfully so, he spends most of this issue surrounded by his pet monkeys – each dressed up as a member of the Six. But in this scene, he’s fighting Scandal Savage. More importantly, he’s holding his own. Classic.
Calafiore continues turning in solid, if unremarkable art. One sequence that did catch my attention is Scandal’s dream. Therein, he uses a couple unique layouts to set it off from the remainder of the issue. Another nice touch was the names of stores in the Iowa mall that doubles as a gate to hell. They include Fred’s Saltless Pretzels and Non-Descript Apparel. Hell, indeed.
Man-Thing. He’s the butt of Giant-Sized jokes, but more importantly, he’s the most mysterious member of the Thunderbolts. Much like the Ghost’s story was told in #151, Man-Thing gets his own focus here.
I’m unfamiliar with the walking pile of flora, so it was nice to get a brief history, but not much happens. A sorceress frees M-T from The Raft, he defeats some six-eyed Avatar knockoffs, then goes home. This issue goes a long way in proving that he’s a valuable member, but it lacks the team dynamics that make this book so interesting.
You may remember Declan Shalvey’s name from the Shadowland tie-in issues. He’s back doing an adequate job. I don’t mean to be negative. I enjoy Shalvey’s work, but filling in for Kev Walker is a fool’s errand.
Thunderbolts is my favorite book right now, but I must admit that this issue is nothing if not skippable.
Valeria and Franklin Richards. Thor. Spider-Man. Since issue #201, Peter David sure has been doing his part in integrating X-Factor in the rest of the Marvel Universe. With most of mutantdom on the west coast, X-Factor’s the only game in New York town, acting like a bridge to the rest of the world. It makes sense.
This issue, X-F Investigations gets hired by the mayor of New York City – none other than J. Jonah Jameson. It seems a buddy of his was gunned down last week and Jamie and Co. have to find out why. In another storyline, a hitwoman awakens a former partner who has been lost in regular society. It had some shades of 100 Bullets. Not a bad book to steal from. Hmm … I wonder if these stories will intersect?
It also seems that PAD is getting used to his secondary artist, Emanuela Lupacchino, and has started writing to her strengths. After seeing how well she drew Rahne in her underwear, he writes a nice scene involving M in a bikini and a topless Shatterstar. Lupacchino’s a great artist. She draws an awesome Spider-Man. I hope the De Landro/Lupacchino team sticks on this book. Revolving artists has always been its shortcoming.
Spider-Man fans! Unite and give X-Factor the sales boost it deserves!