Hey everyone! How are you? I’m pretty goo–
I was … see cuz the other time? See cuz it had rained. No, seriously. It was my birthday. It was Valentine’s day. I was celebrating. I’m allowed aren’t I?
Manapul is back on Flash and I couldn’t be more excited. Between his return and the book getting back into multi-part stories, we’re back to the feeling we got from “The Dastardly Death of Rogues.”
For the past two issues, I’ve complained about Brian Buccellatto’s colors. They didn’t feel right on Scott Kolins, but on Manapul’s lines, they are perfect. It gives an old-timey almost Rockwell feel. Knowing how much Tim Sale is influenced by Rockwell, I wonder what Buccellatto would do to his art. (Sorry Dave Stewart.) There’s not much action in this issue. It’s not exciting, but damn it’s pretty.
Flash has traded its “Brightest Day” banner for a “The Road to Flashpoint” one and wastes no time getting into it. The bulk of the book involves Barry Allen investigating a dead body. It seems that The Elongated Kid (really?) had rapidly aged before death. It could be chalked up to another time-travel murder mystery, but that storyline is book-ended by the arrival of new character Hot Pursuit searching for Barry. Under the helmet, he’s a character known to all Flash readers. We don’t get any details, but we’re barreling towards “the single greatest time anomaly to even threaten reality.” Johns may put too much hyperbole in his writing, but I’m in for the ride.
I’m enjoying a book whose main character is Paladin. I say again, I’m enjoying a book whose main character is Paladin. I’m as surprised as you are.
Abnett and Lanning have switched the characters each month, giving a good interpretation of each until this issue. Danny Rand shows up, no surprise in a book called Heroes for Hire, but he’s really combative and reluctant to help, even when Misty’s name is dropped. Not very heroic. Not very Danny. It all seems like fitting him into a round hole for the purpose of the (again, forced) closing line.
I’m coming around on Brad Walker’s work. It isn’t any prettier, but at least it’s consistent. His Misty Knight isn’t attractive, but she’s consistently unattractive. I can live with that.
Jurassic Park continues its influence on comics. This is fourth book I can think of in about two months to include a battle with a dinosaur. You’d think was 1994.
Last month I wondered if Heroes for Hire would be too repetitive. This issue says yes. Misty uses a number of heroes to piece-meal a mission together. It’s fun, but each issue feels too slight. I want something bigger.
Comics can interest people for a variety of reasons. The character. The writer. The artist. So why would I buy Onslaught Unleashed?
Onslaught? No. I wasn’t into comics at the time, but the Onslaught Saga sounds bloated and very bad 90’s comics.
The Secret Avengers? Sure. Brubaker didn’t impress me, but Steve Rogers? Black Widow? Beast? These are some of my favorite characters.
The Young Allies? Of course. My favorite book of 2010.
Sean McKeever? From The Waiting Place to Allies, absolutely. He’s now a name I follow.
Filipe Andrade? Well … no.
Well, that’s 60% positive going into the book. How did it fare?
Pretty well. Despite Onslaught’s presence, it feels like the continuation of threads from Young Allies and the Nomad backups from Captain America. I was wondering if/where these stories, such as El Dragón would be addressed, so its nice to see they have not been lost, dropped or canceled. Of course, the threat here is bigger than Rikki or the Allies can handle, so her mentors, Steve Rogers and Natasha Romanoff take over.
McKeever impressed here. Onslaught Unleashed is a natural evolution of the story, giving reason for the team-up, without the played-out team vs. team battle. He writes established characters like Best and Ant-Man just as well as those he created.
Filipe Andrade’s art is much like that seen in the Nomad backups. It’s … fine. I can tell characters apart and he does some nice storytelling bits, but his characters are too jagged. Hell, Gravity could stab someone with his chin. I wonder how this series would look with David Baldeon or Humberto Ramos (who supplied the cover) on art duties. I wanto give some points to colorist Ricardo Tercio. Whether it’s the greens of the facility or the magentas of the Onslaught machine, each scene gets its own palette, expertly setting the tone.
The art holds it back, but for three more issues, Onslaught Unleashed is a book I will look forward too.
Sophomore slump. That’s the only way I can think about “Revenge of the Spider-Slayer.” Compared to Dan Slott’s first “Big Time” arc, we’ve got an unsympathetic villain, flat dialogue, dull art, and a lack of Peter Parker’s personal life.
Taken on their own, any of these factors would be OK, but together they’re just a disappointment. Let’s go down the line.
- Alistair Smythe is boring. You stole my dad. You ruined my life. Blah blah. Who cares? And the return of the Scorpion? Who cares? Spider-Man has the second best villains in comics because they have interesting personalities: Green Goblin and his mental instability, Doc Ock and his inventor’s drive, the new Hobgoblin and his dark-side-of-the-spider personality. Smythe and Gargan don’t have anything to hang their hats on.
- For these two issues, Fred Van Lente has scripted over Dan Slott’s story. I’ve never been a fan of Van Lente’s writing and these issues are show why. Characters don’t speak naturally; they speak in plot points. Van Lente even uses a number of though balloons. Thought balloons! One of the most inelegant methods of comics writing.
- I loved Stefano Caselli’s work on Avengers: The Initiative, but something doesn’t work here. It’s over-detailed and over-rendered. And issue 654, with its nighttime climax, is very dark. No the fun BIG TIME Spider-Man we got with Ramos.
- This issue is action action action. The biggest emotional hit is on J. Jonah Jameson. Peter hasn’t really learned or changed or gone on a journey. I don’t like that.
We’ve got #654.1 next, launching the new Venom book (interest level: low) then the glorious Marcos Martin! I had the highest excitement for Martin when this “Big Time” status quo was announced. So far, Ramos gets a thumbs up, Caselli gets a thumbs down and I can’t wait to see where Martin goes.
Some quick scene setting: I love it when heroes use their powers in non-combative ways. Sue and Johnny Storm creating personal umbrellas in Civil War? Love it. Madrox creating a dupe so he can interview a client and her accused at the same time? It just makes sense. Think of how fast you could finish your chores if you could send a copy of yourself to do each task.
With X-Factor #215, Peter David uses another spotlight issues to focus on the real linchpins of the series – Jamie Madrox and Layla Miller. The story itself is a whodunit, which is solved fairly simply. But, as always, it comes down to the characters.
Some history: Back in issue #10, cover date October 2006, Layla Miller referenced her and Jamie’s wedding night. He had just slept with Siryn and Monet (separately, though still, lucky dude [again, think of how awesome duplicates are]), so he sort of brushed it off. In issue #28 (April 2008), we saw Rahne’s terrible vision of the future – her killing Jamie and Layla on their wedding night (this vision was given by Damian Tryp to Rahne in issue #12). In issue #40 (April 2009), we see a Layla from the future, all grown up. Making their marriage a lot less creepy. In #50 (December 2009), Layla returns to our timeline. Now, with the April 2011 issue, we get another step – the proposal. This is more than four years of comics following one thread. I love it.
Not much to say about the issue itself, other than that De Landro toned down the shadows in his art to great improvement. It’s a lot clearer and his people are more attractive. I hope he keeps it up.
I know this was late. And the reviews for last week’s books are already late. They will come.