I would like to have more substantial posts on here, diving deeper into stories or characters, but I am glad that these weekly reviews have kept me writing and thinking critically about comics. I’ve even noticed myself looking deeper into the stories of movies and television shows. Ah well, Deadshot, shall we move on to the books?
I was reading Avengers: Initiative when Reptil had his first appearance in some tie-in. But it had no connection that I could see and seemed like a cash grab, so I skipped it. I still don’t really regret that, but after reading this issue, I find him the be the most relatable in his class of recruits.
I’ve never harbored much delusion about becoming a superhero one day, but anyone can relate to growing up with a dream profession and doing (or not doing) what they can to make it real. Christos Gage does a lot in this issue, showing a number of ways Humberto (Reptil) tries to find what kind of leader he’ll be. All to often in a story like this, our protagonist would take a chance reaching out to his teammates and by the end, they all hug and receive him as captain. Get real. Here, Finesse, his friend with benefits (second post in a row to mention one of those … hmm) calls it off, Mettle and HazMat walk away in disgust from his suggestion they get together romantically. Ye, in the end he’s comfortable with the role, but not everyone is so fast to accept him. It feels more real, especially where this team doesn’t have the familial feel of say, the Teen Titans.
Mike McKone is assisted by four inkers over these 22 pages. That’s usually a problem, but there is a great deal of consistency on these pages. My fear is that the four inkers are a sign that Mike McKone’s art is coming in too slowly for the production schedule. Issue seven will feature Tom Raney, but no more have been solicited. As of issue four, Avengers Academy was selling over 30,000 copies, so I don’t think it’s in danger of getting canceled, but I am concerned that there’s a delay coming. Perhaps Marvel was dipping their toe with a few issues before giving a green light for this as an ongoing. Here’s hoping.
Mr. Bendis? Mr. Maleev? You better wow me next issue. I know half the internet is creaming their jeans over this, but it is not good.
Scarlet is a murderer. There is no denying that. I wanted to call her a terrorist, but for now she’s only targeting cops, not the widespread public, so I’ll stop short of that. She’s a girl who was the victim of police corruption that snapped and decided to do something about it. She has no morals that we’ve seen. No remorse. Just a desire to strike back. If she’s gone crazy and lost any sense of right and wrong, Bendis has got to tell us. Otherwise, he’s going to have a hard time getting us to connect to her. The problem only gets worse when Bendis tries to make us an accomplice to her crimes. Scarlet calling us out that we can’t recognize what’s wrong with our world and don’t have the balls to do anything about it if we did does not endear her to us. She’s trying to put the reader down, and just like a friend who does that, people are going to stop calling her.
Alex Maleev’s work has never been something I would call beautiful. Here, I would call it ugly. Characters have ridiculous expressions, especially Scarlet’s friend Brandon. This where Maleev’s photo-referencing pales in comparison to someone like Tony Harris. Harris stages his scenes, and his “actors” look like their emoting instead of posing for the camera. Shading is done in large splotches like jagged countries on a map. The colors are all dark, doing the storytelling no favors. The reader doesn’t know what to focus on.
One last note, and maybe this is sacrilege, but is this really a visual story? In other words, may this be better served as a novel? The only action here is Scarlet running from the cops and then sniping a couple of them. The images allow for some nice reveals, such as the fact that Scarlet is videotaping her actions, unafraid of the public knowing who she is. But really, between the narration and prevalence of talky scenes, the visuals don’t add much. If you write “Concert (Arcade Fire),” do we need to see two dudes in the crowd to understand what that mean? Just a thought.
One more issue sirs, then I’m out.
People often complain about comic books covers falsely advertising the interiors. Well, I will warn you. The cover of Secret Six #26 shows Bane riding a dinosaur. The inside of Secret Six #26 shows Bane riding a god damn dinosaur! And Catman riding a the biggest cat I’ve ever seen. AWESOME.
Prior to “The Reptile Brain,” I had never heard of Skartaris. I only knew Warlord by name. I still don’t really know who Diemos is. In all that confusion, I was a bit lost with the intricacies of the plot. All that said, this was the best issue of the storyline so far. It’s small moments that become more important than the whole. The two Sixes come to blows, no one holding back. This leads to some great clashes, like those between Ragdoll and King Shark and Jeanette and everyone else.
These are bad people, but it feels real. Reluctance to kill has long been a criticism of superheros. “I’m willing to put someone in a hospital, or drop them from a great height, or run from the police, but killing is wrong.” It’s a nice message, but crazy. If you had a great skill and could get away with it, you would take advantage. Shady contracts, bloody violence. Whatever.
I don’t give J. Calafiore enough credit on this book. Big and small, action or discussion, his pencils are consistent and exciting. In this issue specifically, I admire his habit of violating panel borders. It’s done rarely, but always emphasizes the right moments.
With the cliffhanger involving a character I’m not familiar with, I’m not sure where this is going. I am sure though that the two teams will unite and kick some ass. I can’t wait.
Rest in peace, Young Allies. I know no reason you should be forgot. You’re my favorite new series of 2010. You were fun. You were funny. You were exciting. You exposed me to some new characters that I’ll hunt down past and future appearances of. You had great, consistent, monthly art. And now you are canceled.
Obviously, I enjoy Avengers Academy. And I understand that there are a few reasons it sells three times as many copies (“Avengers” in the title, better known guest stars, tying in with other titles). But I find this to be a superior book. These heroes aren’t ready to defend the world either, but they’ve also got to deal with the real world. It’s a more complete picture of what it means to grow up super.
Young Allies was a book of underdogs. An underrated writer and artist and C-list characters may not light the charts on fire, but it also means they’re aren’t stuck in a rut of repetitive villains and cyclical plots. Sean McKeever shows his ear for many characters’ voices, this issue guest-starring Emma Frost, one of the most interesting characters in the Marvel U today.
David Baldeon wasn’t afraid to avoid the blood and violence of too many books these days. His cartoony art does what comic art should: help tell the story while adding to its tone. And he did it brilliantly.
“A Change of Mind” is one of those downtime issues that are enjoyable in an extended run, but hard to really discuss. The characters each have to make a decision and by the end, they do. But the outcomes of those decisions will come in the future. Which is a problem.
This issue is one of transition. Which is made awkward by the fact that it’s a transition to … nothing. Time to talk publishing for a moment. The book in canceled. Recent comments from Ed Brubaker (“I’ll be doing both the main feature and writing the back-up feature. And they’ll be intertwining stories.”) suggest that the Nomad backup in Captain America will end soon. All fans have left on the horizon is the new Spider-Girl. I’m interested, but we know how much success that title has had in the past.
#6 is the weakest issue of the title yet, but I implore all of you to read this series when it’s released in trade.