Two quick notes:
1) Captain America was my only book on the 29th, so I didn’t even go to the shop. Bonus for this week!
2) Sorry this is so late. NYCC was … overwhelming. More on that later.
Christos Gage continues to impress me on this book. He manages to sidestep every possible cliché this book could fall into. Instead of a grand reveal of the team’s traitor on a page turn, it’s revealed though a conversation. Rather than following comic book convention, Gage lets his plot develop naturally. I won’t spoil who the character is, but it does add dimension to him/her.
One aspect of the book I appreciate is that the kid’s aren’t shown as invincible. They are still inexperienced. They can contribute, but can’t defeat Whirlwind with the Wasp’s help. And as it should be, Steve Rogers can kick their asses, even six on one.
Jorge Molina fills in on pencils and does a good job. His panels are but more unpolished, but Andrew Hennessey’s inks and Jeromy Cox’s colors keep the look consistent. With the Hank Pym-centric issue #7 coming up, this book couldn’t excite me more.
Baron Zemo takes a play out of Reverse Flash’s book in this issue, with Zemo revealing that this has all been about making Bucky a better hero. It’s an interesting twist and is more inline with the Zemo we’ve seen since his Thunderbolts days. But really, this is all pushing pieces into place for the next story, where the new Captain America has to face the actions he made as the Winter Soldier.
I do have some reservations about the art. Guice’s pencils are fine. But two inkers (including Guice) and three colorists kill the consistency of the pages. I understand the periodical comics business is built on a four-week cycle, but if Marvel gave me a more consistent book every five weeks, I’d be happier.
The Nomad backup continues to be well written with underwhelming art. It starts well enough, but the final page is rushed. Out of seven faces on the page, only two can be said to have any resembling eyes.
Until the book, I always saw Bane as one-note. He broke Batman’s back and that’s it. Like Doomsday, he debuted with one big, fantastic action and had nothing else to him. God bless Gail Simone. She’s made Bane interesting and his relationship with Scandal one of the most interesting, if confusing, in comics. With each of their two factions facing off in this issue, they’ve taken another swerve and I love it.
I’m usually good with Calafiore’s art, but his faces here come off as flat and emotionless. Blank expressions and gritted teeth about in these pages. There are some great sight though, such as a giant, three-headed small intestine and battle-axe wielding madman.
Also included here is a preview for J. T. Krul and Nicola Scott’s Teen Titans. I met Scott this weekend at NYCC and she’s a sweetheart, I just wish she was headed to a book I had more confidence in. She’s one of DC’s greatest talents, I hope she isn’t wasted.
Sean McKeever sure has created some great characters for Young Allies. The Bastards are interesting themselves, but Toro is a new favorite. In two silent panels, we see a great deal of character as he calmly stops Gravity from doing something he’ll regret.
Baldeón’s pencils are nothing to ignore either. You know the feeling that was lacking in Calafiore’s work on Secret Six? I found it. Fear, rage, whatever ring you wear, your emotion is here. They have so much movement and energy to them that my only hope is that he stays with this book. I’d hate to lose him to something more high-profile.
I addition to being great on its own, this book also has me excited for Spider-Girl’s upcoming solo series. That’s the mark of a great book.