Another short list this week.
***** = Loved It
**** = Really Liked It
*** = Liked It
** = Didn’t Like It
* = Hated It
Like Captain America and Ultimate Spider-Man, Daredevil is such a dynamic book because of its supporting cast. From old favorites like Foggy and Elektra to newer additions like the Black Tarantula, they help keep the book unique. Each person adds a new facet to the events. That makes these Shadowland tie-in issues quite enjoyable. Foggy is mostly absent from the main miniseries, so it’s nice to see him show up here. On a related note, I’m so glad Ed Brubaker brought Dakota North into this book. Her scenes have brought some great non-superpowered action, especially this month. By focusing on the non-hero characters, Daredevil showcases an important side of the proceedings that is forgotten elsewhere.
We get yet another meeting between heroes discussing whether to take Matt out, with the addition this month of the Kingpin. Diggle and Johnston write a nice Wilson Fisk, who let’s not forget may be responsible for some of this, but also has as stake in taking Matt down. After all, how can a crime boss succeed in a city without crime? This issue also furthers the Hand conspiracy. In the past months, we’ve seen the new devil-inspired outfits on the Hand soldiers, but it’s a group of black-clad ninjas who attach Foggy and Dakota. This is even bigger than Murdock’s possession, which means the true antagonist has yet to be revealed.
Marco Checchetto shows up on penciling duties this month. He doesn’t have the flair of Roberto De La Torre, but his work suits the story just fine. On another art note, why are John Cassaday’s recent covers so boring? Look at his covers for Planetary, Astonishing X-Men, or the Irredeemable/Incorruptable books. They are all far and away more exciting that the work he’s turning in here.
Lines are being drawn for the big confrontation at the climax of this series. Let’s hope the fallout brings this book back to the level it was only a short time ago.
Last month, I said I wasn’t sure how this final issue could top #9 as a finale for the series. It didn’t. It is a good issue, but it does not wrap up the themes Bá and Moon have explored in Daytripper as well as well as the last issue. I won’t get into the story too much, but I will say that after nine months of unnatural deaths for Brás de Oliva Domingos, it’s nice to see him live something resembling a full life.
There are no exciting set pieces like the flooding kitchen last week. This issue is more about complex emotions. The body language and facial expression of Brás’s wife when he tells her his plan says more than a caption ever could.
Daytripper is a well written, beautifully drawn series about the fragility of life and the importance of filling your days with the people you love. Pick up the trade. And once you’re done, share it with someone.
Superhero comics don’t have enough car chases. They’re such a staple of action movies, but you rarely see them in comic pages. Rather than have Tony Stark and Sasha Hammer have a tête à tête over a conference table, Fraction and Larroca place them in a car speeding down the highway. In case that wasn’t enough, Sasha finds the time to put the moves on Tony, while he’s driving. It’s a great way to up the drama and visual action in what could have been a floating head scene. One question: If they’re in Seattle, can someone tell me why Tony’s steering wheel is on the right side of the car? None of the panels give an idea of side of the road he’s on, so I can’t decide if he’s driving a European car or if Larroca made a mistake.
After a few months of spinning wheels, Fraction and Larroca have revealed part of Hammer Girl’s mission, shown off a hi-tech Sasha Hammer, as well as the Iron Man and Maiden, and tied the book back to its first arc, “The Five Nightmares.” Some fresh action and real plot development make this my favorite book of the week.