Hey all! Short list this week.
It sucks that this book is going to be canceled. No, Marvel hasn’t said so, but let’s be honest. Marvel thought this would be a good book to have on the shelves post-Iron Man 2. Issue #3 didn’t even sell 20,000 copies; that’s about Marvel’s cancellation line for monthly 616 titles. Next month, Dwayne Swierczynski comes on as writer. I loved his Iron Fist, but his name doesn’t exactly set the charts on fire.
Disregarding the impending cancellation, I enjoy this book a lot. This is a book about spies. Liu’s characters are always two steps ahead of the reader, just like they should be. Cap and Wolverine show up for two good jokes. Widow is a character that does well on her own, but has cameos by the aforementioned Wolvie and Cap, but also Lady Bullseye. She’s been a part of the universe since 1964 and these appearances help show that.
I do have an issue with Imus Champion. Why does he want to kill Natasha? To hurt the Avengers? Why does he want to do that? Lex Luthor hates that Superman is an alien. I get that. Dr. Doom wants to rule the world. I get that. I never understand the bad guys who just want to hurt the hero. It doesn’t feel like enough.
Daniel Acuna’s art looks like no one else’s in the business, but not at the cost of storytelling. It’s an amazing skill that Natasha spends a third of the issue naked, but it never feels lascivious. Acuna’s art usually accompanies stories that are more out there like Klarion the Witch Boy or Inhumans, but I was pleased with it here.
Is there a reason why Marvel is trying to push this book out as soon as possible? Are they trying to get the story to a certain point before the movie next year? Steve back as Cap maybe? Issue #608 only came out three weeks ago. But three inkers put work in on these 22 pages. Why? Butch Guice’s art is good, but it gets styled in three different ways. Three inking styles means three coloring styles (at least it should). It feels disjointed.
After spending nine pages to fight the new Beetle last month, Brubaker makes some big moves. Zemo uses some strange logic to lure Bucky out, but everything goes according to his plan. I give Bru a lot of credit for his treatment of Cap’s supporting cast. Steve Rogers, The Falcon, Black Widow, they all get a chance to do something worthwhile. Makes it even sadder that I’ve never enjoyed his team books. This book is one of the most consistently good books Marvel has right now.
Peter David writes the best dialogue in superhero comics today. Hell, he may be the best writer in superhero comics today. He plants seeds that don’t bloom for years. He perfectly chooses the right characters for maximum conflict without altering their personalities. All of this and nothing ever feels forced. Rictor and Wolfsbane have sex. OK. Rictor and Shatterstar hook up. I’m still with you. Then, a year and half after Rahne leaves the team, she comes back, pregnant, walks in on the dudes and flips out. I love it. On a related note, Rahne admitted in issue 13 that she had dreams of eviscerating Jamie on his and an adult Layla’s wedding day. At the time, Layla was like 13. Almost 40 issues later, Layla comes back from the future, all grown up. That shows forward thinking, faith that a book will continue and just plain good ideas.
Emanuela Lupacchino is the umpteenth artist on this book, but she nails it. She may also be the first artist on the book whose Rhane looks good both in human and wolf form. I hope she sticks around.
Next month: Longshot in Vegas. Such a good idea.